In the shadow of the Equinox, a blood moon

A full moon with a reddish orange cast in the night sky

The Lunar eclipse or blood moon in the Canberra night sky 8 October, 2014 (photo by Dylan Jones)

 

 An Invitation to Write

Late is a concept that depends on another one, that of being on time. And yes, my Equinox ‘Invitation to write’ post is late, and let’s hope it is like a late period in its out of timeness, with the associated promises of a birth, or a shedding, a release, or of cycles slightly out of kilter and then renewed. I don’t know. This time seems significant. In my life. In humanity’s life. In the life of mother earth.

I just had a wedding, a glorious experience, but also confronting, and the culmination of over a year of planning with my loved ones. A dear friend died a week before the wedding, and we went to her celebration of life on a bright and sunny hilltop the day before we got married, just as our relatives from all around the country were arriving. I feel so grateful to have known her and that I was able to say goodbye.

So a little after the Equinox I am reflecting in its shadow, and looking for what might be inspiring to write about. There is so much, almost too much, life is full, wild and lovely, so how to choose from this richness?

 

mysterious shadows on the ground

I love taking photos of shadows while out walking

Our marriage was a civil one and it involved telling those with us who we are, and it also involved making a ceremony together that we then shared. As people who are not usually in the centre of things, it was an unusual place to be. It was new.

We probably aren’t the most naturally graceful folk, but we decided to learn a small dance to share with our loved ones before everyone was invited onto the dance floor after the wedding. And we managed it. We remembered the steps, enough. And so so enjoyed it. And we were surprised at how much we enjoyed learning the dance. We even practiced in the empty aisle of a supermarket.

A few days after our wedding we danced it in the open at night, under a blood moon. I think we will be dancing that dance again, anywhere we can.

Do you have any small rituals or celebrations that you have created that mark the rhythm of your lives? Would you like to write about them and share them? Post them in the comments section of this post if you would like to share one, or even two, and I will publish them in a later post, or however it seems right. Consider writing about a personal ritual or celebration in your own blog and telling me you have so I can enjoy it! I would love to read about them.

Dylan Jones made a time lapse of the lunar eclipse and I am sharing it with you here. It is made up of five hours worth of photos taken at five minute intervals on a cold Spring night in Canberra, Australia. I am fascinated by the sense of spinning. Check out all the information from NASA. How blessed are we, with this knowledge and beauty? Let’s all look up at the moon tonight.

Wetland haiku

Misty wetlands with trees reflected in the water

Banksia St Wetlands very early on a Sunday morning

curra-wong, curra –
frog clatter stops – breathe out, in,
morning wetland mist

I lay awake this morning and imagined the wetland. I just wanted to be there, even though it was still dark. I drank some warm milk and tried to go back to sleep, but eventually I knew I must just get up and go there.

Tree submerged in wetland with reflections in still water

This tree perch provides protection for birds and makes beautiful reflections

So at first light I found a warm coat, my notebook and pencil, and decided to try and write haiku in the wetland, like I did back in April. On the way, when I noticed a duck sitting on top of a streetlight on Northbourne Avenue (our main road), I knew I had made the right decision. It seemed like a good omen.

I did question myself, as usual, Will I be able to do it? Will I feel disappointed if I can’t write a poem to my satisfaction? A haiku, just three lines and seventeen syllables, so small a poetry creature, can feel at the same time so large, and the attempt sometimes difficult.

How to reflect or capture experience? This, for me, is always the question. It is a bit like a dare, I might be able to, or I might not. And I won’t know if I don’t try.

It was misty and cold and exhilarating at the wetland this morning. As I found myself in a soundscape of birdcall, frog chorus, and insect hum, it did occur to me that my human language, the marks on the paper, the sounds in my mind, seemed very inadequate in comparison. The haiku at the beginning of this post is what I came up with.

Snail on twig and flower

The snail thinks that flower looks yummy

Like a haiku, Banksia St Wetland seems small and big all at once. It seems tucked away as you approach it, but big as you wander through it. It is the first wetland in the Australian Capital Territory to be developed in an established suburb, and it is a magical place, but also very practical. Water from the storm water drain gathers there, and the reeds and sediment take up the nutrients in the water and improve the water quality of the Sullivan Creek catchment.

Duck crossing sign mother duck with chicks

Duck crossing signs are so gorgeous (and compassionate)

I helped facilitate a community event at Banksia St Wetland earlier in the year, Haiku in the Wetland, with Edwina Robinson (Urban Waterways Coordinator). All the participants wrote beautiful haiku and the Centre for Cultural and Creative Research (CCCR) and the Institute for International Poetry Studies at University of Canberra and the ACT Environment and Sustainable Development Directorate supported the event. You can read the poetry and enjoy photos from that day on the CCCR website.

It felt good to return and write at the wetland again. I might make it a regular writing place.

Mother and father ducks with chicks crossing a bike path

Crossing the bike path

I usually take the photos for this blog, but this morning Dylan Jones came with me and did his usual amazing nature photography. We were very lucky to end our visit by watching a duck family with chicks waddle to the water, and plunge in.

Ducklings swimming close up

Having taken the plunge

Letters to the past – an invitation to write

row-of-boxes-at-Watson

Today is the Winter Solstice in the Southern Hemisphere. Last night I walked around    Lake Burley Griffin, and the energy was the opposite to what I had imagined, leading up to this shortest day of the year. Instead of feeling hunkered down and small, I felt enlivened, expansive and playful. From under Kings Ave Bridge I watched the lights on the water as cyclists hurtled past, and fellow solstice seekers strolled by in the shadows, the week’s work behind them, on their way to the weekend and all its promise, so near to the turning point of the year, feeling the tilt of the earth. I do feel introspective though, as well as energetic, and it is a great feeling.

I would like to share some letters l wrote a little while ago. The shortest day of the year seems to be saying something about time to me, and it has reminded me of these letters, these fragments. A student asked me to write about teaching, for an anthology they were editing. I preferred to turn it around and write about the experience of being taught, instead, and acknowledge those continuing connections with teachers through memories and emotions. Students, teachers, we are all the same really, learning together, in my view. My student didn’t end up using the the letters for their project, but I was glad I wrote them. At the time I called the little series Primary and Secondary.  The letters are not the sort to be sent, most of the people I was writing to are dead. I felt compelled to write to them anyway.  (In The New Diary, Tristine Rainer writes of the ‘unsent letter,’ as a useful technique in journal or diary writing. I love this thoughtful book, I recommend to anyone keeping a journal, or wanting to practice writing.) It just occurred to me  that in a way I am sending the letters, by including them in this post, by ‘posting’ them. Why not? The first four are to primary school teachers, and the last is to a high school teacher.

Dear Mrs Sinclair,

Thank you again for writing to me. I know I sent you a card at the time, but I feel I have to write again.

When I read your letter, I imagined you flipping through ‘She’s a train and she’s dangerous‘ in the book store (probably in the feminist or women’s writing section) and recognising my name and reading ‘In the House Alone’. (In my mind I still look up at you as if I was a child. I stand by you, waiting.) Your letter made me remember school and teachers and I often recall that care you took to contact me. You know I like to write in fragments. And you have a literary bent, so you wouldn’t mind the epistolary form of this little letter/narrative. The fact that you remembered me when you saw my name or read my story really touched me and I often think of that.

I remember you taking us to Liggins – and the primary school library (which was in a room next to the hall), and how special that was, walking through the rows of books, the bookcases at child height, and the wonder of it, the library card, the blue stamp, the book to take home in my library bag. I remember lining up at your desk to receive my next reading card, wondering what colour it would be.

 I have been teaching for awhile now, and though I mainly teach adults, it is my school teachers I often recall when reflecting on teaching. I remember the weave of the cloth on the sleeve of your jacket as you paused beside my desk, watching me write and copy. ‘Yea, though I walk through the valley of the shadow of death, I will fear no evil, For thou art with me …’ I remember your greying hair, the smell of your face powder, your poise …

 

Dear Mrs MacDonald,

 Thanks for reading to us in the afternoon. The sorrow and love of The Incredible Journey still rises within me, forty years later, and the memory of the hot open windowed afternoons of our story time, and your voice in the stillness after the busy morning. I remember your stories that weren’t from books as well, about the Vikings and their Long Boats and how Germany couldn’t invade England but they did in those boats, and about Nature and God’s perfection, and Man’s imperfection.

 Mrs Mac, I remember the end of year afternoon tea at your house, your shadowy cottage, the cakes on the table, the wild heavy blooms at your front door as we stood on tip toes to ring the front door bell …

 Dear Mrs Newell,

 I remember your authority, your thin wiry way, your tight curls gliding above the song of the times tables. Do you remember the arm that rose unexpectedly from the centre row – and the question – ‘What happens to a child when they die?’ You gave such a certain answer – ‘They go straight to heaven,’ you said. Your voice was so clear and certain. What peace you gave me! I wonder, were you asked that question very often?

 And Mrs Newell, you had a pool! And a pool party! We floated there at the end of the year. After our parents left, your pale daughter sat in the shade sipping coke, in her bikini and dark glasses, her white hair shining, as we lolled and splashed … 

Dear Miss Heath,

I’ve written about you before, and now I want to write to you. I think of you, Miss Heath. I think of your back and up stretched arm as you drew on the blackboard at the beginning of each season. You were in the classroom early, framing the lessons on that giant blackboard, with summer’s breaking waves and spray, with autumn ‘s burnt leaves, winter’s ice cave of blue and white and spring’s chalky tulips, spring’s bursting leaves. And in the frame of your art must have been our introduction to words and numbers and grown up time, (the day, the date, the month, the year).

 I realise now you were an artist. At the reunion Miss Stuart told me. ‘Oh, she died’. Your horn rimmed glasses and French knot or your soft hair falling on your shoulders when it was out, were beyond the ken of the Canteen Mothers and their perms – and you rated as a plain (single) woman, (very kind) – a kindergarten teacher. The pleat of your skirt brushes my shoulder as I sit cross-legged and you lean down to turn the page with me.

 I lined up with my big sister at the New Theatre to buy the tickets to a play she wanted to see, and there you were selling them at the box office. My mother was glad you had something to do on the weekend. I remember your smile …

 Dear Mrs Plimer,

I think you may still be alive and not that far away— that is a good feeling. It is nearly ten years since I spoke to you. I rang you during the bush fires to see if you needed help. I knew the fire was heading towards you. Dear woman, you were packing the car with your research, and were about to leave. You were prepared and strong. When help is needed we try to give it. For weeks you arrived at my house in the morning and helped me into the front seat, put my crutches into the back of your car, and then drove me to school. They were fun weeks of being late to class, careening down halls on my crutches, of healing from my accident, of people making a fuss of me. I think now, looking back, you were helping my mother. She was (and is) strong, but others must have seen her need, that she was alone. I remember small gestures, friends stepping forward to help, your care.

with love

Sarah

For this Winter Solstice ‘Invitation to Write,” write a letter to a teacher. (Hopefully a fond one!) Or to someone from the past that you think of. I’d love to read them. Post them to the comments section, and if you like we can publish them together in a later post. Or write it just for yourself, and them – see what happens.

red-letter-box

 

 

 

 

Running on lava

A photo of me running towards the camera on pitch black rocks, with the sun setting in the background

Running on lava at sunset

Heat. Long gulping icy drinks. Tickly sweat trickles. This is my second ‘invitation to write’ and after a long summer day my inspiration is fairly obvious. In fact it is the longest summer day, the Solstice.

SUMMER. Whatever this season means to you, be it cicada song, melting icecream, burning dusty feet, or running on lava, write in response to SUMMER.

Hold this word in your mind for a moment and then play with it in words. Extemporise. Improvise. Don’t stop writing. If nothing comes just write about that eg I don’t know what to write swimming, pools, sweaty, dry etc until more words come. Write for five minutes.

Read it over. You might not like all of what what you’ve written, but there will be something, some small thing of interest, something a little special you could develop and work with.

Just write without thinking too much and let one thing lead to another. You can use a keyboard and bash away or be ‘old school’ and use a pen or pencil and paper (I like pencil myself). Don’t worry about spelling or punctuation or even making that much sense. If you’ve written it by hand then type it up. Don’t be tempted to fix it up too much. Then post it in the comments.

I’ll update this post in a couple of days with my response to SUMMER. But don’t be influenced by what I write. Just put down what comes into your mind. I’ll approve the responses which you’ve posted in the comments and they will go public in about three weeks, either in the comments or as as separate post. And I’ll check in with you about it so don’t worry. And we can discuss our raw little pieces of writing and their potential. I’ll leave the post up so anyone can join in at anytime. I’ll sometimes comment and even make suggestions about where the pieces and fragments might go, and you can too. I’m hoping it will continue to be lots of fun.

An island that is a goddess

Grey lava like waves has several sky holes, that is holes where you can see the molten rock, fiery orange, just below, also mist and steam is rising up, and there are some silvery patterns on the great lava surface

Skyholes in the lava flow of Pu’u Loa

Pele taptaps ash
on lava waves, stubs skyholes,
exhales clouds and earth

When I ordered seaweed at the Odiruko, in Waikiki, Mike paused. He checked my order. Then he asked where we were planning to travel in Hawaii. We told him we were going to The Big Island. He paused again and said, ‘You are going to an island that is a goddess.’ He came from The Big Island.

Then he told us about Pele. He said that if we saw a Hawaiian woman hitchhiking at night, to not stop, as she might be Pele, the goddess of the island, who often appears to travellers, especially just before the volcanoes erupt. We wanted to see Pele, and though we didn’t, I think we felt her. In Hilo every few minutes the sky weeps. There is not much difference between air and water, it is so humid.

We asked where it was good to swim in Hilo, and Chris said, ‘Oh just out there, in the Cold Pond’, pointing out the window. The Cold Pond is a volcanic crater so deep it is biting cold, and we swam from the warm sea, into it.

Pele smokes. I imagine her taking a drag, watching, a frangipani in her cloudy hair. She’s been known to ash her cigarette in a crater, just before the next eruption begins.

Equal and angles, writing from an Equinox

A road in an island of green in the Pu'u Loa lava fields, The Big Island, Hawaii

A road in an island of green in the Pu’u Loa lava fields, The Big Island, Hawaii

Artists respond. It is their joy, their craft, their life, and for writers in particular, an eternal riddle. And remember, we are all makers and storytellers. How happy that makes me.

Thank you so much writers Melissa, Deborah and Vita for accepting my Invitation to Write. I asked you to write freely in response to the word Equal and the word Angles, for five minutes each.

So readers, now read with the knowledge that this is new, like the slow lava flow of Pu’u Loa, rising up, beginning the processes of layering and creation. It’s raw, it’s hot, it’s wondrous, it is potential and essence all in one.

Melissa

Equal

Is my love equal to yours? I mean the volume of my feelings, do you have the same volume? Calculating mathematically, apart from , I think a cone might be the right formula, with the big end pointing towards you. 1/3 × pi × r2 × h. The tip of the end is somewhere inside me, maybe at the beginning of the universe, or, more likely, connected to a fragment of mitochondria inside me x 1/3. I think you love me 1.7% more than I love you. But on other days, I love you more. Maybe osmosis has something to do with it.

Deborah

Equal

Equal music. Equal time. Equal score.
 Equal – that line where still water meets calm sky. Blue reflecting blue. Where distance means nothing. Above the same as below. A part of the other. All life and death in the same realm, part of the same story, mirroring the other. A small boat appears on the line far away, slowing making its way across the invisible separation. Which side is it on? The top or the bottom? The water a mirror. Which is the sky? Which is the water? For if I stood on my head and looked again from upside down, the image won’t have changed. Blue on blue, and a little boat, coming or going?

Angles

Ok then, I’ll meet you at the corner. The right angle. All things sharp, acute, rigid. We’ll have to then decide which way to go – to turn at 90 deg down the side-street, or keep on going straight up at 180 deg. This is the pointy end of things, where things come to the peak, the way you like it. Just decide and do it is the way you operate, go this way or that, and then it’s done. We will either go together, or you go one way and I go the other. Then we just do it. Logical and practical. All rulers and set squares.
My approach to things is more roundabouts and sweeping roads. Curvy lines. Gentle arcs and slow reveals of what’s ahead. Don’t force me in a direction until I’m ready. Driving around and around until I’ve decided which street to veer off on. Indecisive. The pencil in the compass. Drawing circles. Pirouette. We just operate at different speeds.

Vita

Angles

Eighties shoulder pads taking over my body like an alien invasion but mum says shoulders need to balance hips always. Prefer curves to angles because that’s what I’ve got in abundance. Angles are strict and overbearing like an angular nose yet somehow superior so I bow down to them … keeping something to myself…a silly putty of resentment moulded into an arrow (oh no angles so hard to avoid) to fire it like David against the angles with Goliath stature. Rise beautiful circles.

Equal

When something equals something it’s a good thing. A feelllinggg of mindless satisfaction and control. Like watching reality TV. But man and woman doesn’t equal child and that’s a bad feeling down inside that untouchable place. It is a lie then. And you don’t discover it is until you want it to really, really badly. Like when rain plus plant didn’t equal life and there I was in the dark waiting for rebirth and when I came out the sun was shining and maroon middles had shrunk into yellow flowers petals which dropped down dead. My three-year-old nephew said one plus three equals four and I said bravo. In time he’ll learn disappointment.

The flow continues

So much has been given in this writing. What gifts spring from five minute! So much contained and opened up. I’ve thought so much about love while reading these fragments. Lovers, children, parents, friends, families. And I see the beginnings of stories, poems, other forms of art in these small pieces. But they can also just be. Whatever the writer wishes.

Melissa, Deborah and Vita, when you read this writing what do you find you like, on an intuitive level, what do you respond to, what phrase or thought or sound?
It might even be something about the experience of writing it, rather than what is there. Think about this for your own pieces and each other’s.

It would be great if you put this in the replies to this post. Let’s see what happens. Think about my response as well, which I included in An Invitation to Write – an Update. I don’t want to miss out! Thank you. Merci beaucoup.

(The aerial image above was taken by Dylan Jones. All other images in this blog so far were taken by me.) If you want a nature photography fix you should check out Mt Majura and beyond …